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Monday Night © 36"x36" oil on linen
Dominick © 60"x48" oil on linen
He paints quickly creating richly colored and exciting surfaces. Indeed, his bravura use of paint is akin to the Abstract Expressionists; unlike them, however, he provides the viewer with a recognizable reality, ordered by his own personal vision and controlled by his technical mastery. In subject matter and the interpretation of that subject, Cook has an American vision which owes much to tradition, but it is tradition that is, in the artist hands, fully redefined taking on a new personal, but very important meaning.
FS: There are numerous art books about American landscape paintings. Do you have the sense that you are painting something that we are losing or that is threatened?
JPC: I was reading something a couple of days ago about a painter painting a moment which passed. That place did not go away, it just changed. I have painted some places for thirty years, and they have changed, but they did not go away.
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Teton Valley #1 © 30"x36" oil on linen
Mt. Lemmon-Aspen © 36"x42" oil on linen
Teton Valley #2 © 30"x36" oil on linen
Symphony in the Flint Hills, Kansas
K-99 #2 © 24"x36" oil on linen
Echo Cliff Study #4; 40"x60" oil on linen
Skyline Angus © 36"x48" oil on linen
Trapper's Lake © 68"x168" oil on linen
CP: What place does 'gesture', the vitality of mark making play in your own work, and what can this express to the viewer?
JPC: I have tried to find a form of painting that speaks to me from the canvas the way nature stimulates my eye. I find the physical and plastic qualities of paint very stimulating. The challenge is to give to the painted surface the ring of truth and not just the slap dash of gesture.James P. Cook's, daughter, Ellen A Cook, is a poet as well as an artist;